Publications

Forthcoming
A.Triantafyllaki, Makrinou P. Developing a learning partnership in the teaching practicum: Three viewpoints from the field. 31st EAS Conference (European Association for Music in Schools). Forthcoming.
A.Triantafyllaki. Ecologies of Music Teachers' Self-Directed and Digital Learning. In: ISME WORLD CONFERENCE. Helsinki, FINLAND; Forthcoming.
Aigner W, Bons V, Triantafyllaki A. Ensuring quality for mentoring in internships abroad in the music classroom. In: 31st EAS Conference . Dublin, Ireland; Forthcoming.
Έρευνα και Εφαρμογές στη Μουσική Ψυχολογία. (Αναγνωστοπούλου Χ, Τριανταφυλλάκη Α, Κόνιαρη Δ, Δρακουλάκη Κ). Θεσσαλονίκη: ΕΕΜΕ (Ελληνική Ένωση για τη Μουσική Εκπαίδευση); Forthcoming.
Τριανταφυλλάκη Αγγελική. Μουσικές Ταυτότητες. In: Έρευνα και Εφαρμογές στη Μουσική Ψυχολογία, Αναγνωστοπούλου, Τριανταφυλλάκη, Δρακουλάκη, Κόνιαρη (Επιμ.). Ελληνική Ένωση για τη Μουσική Εκπαίδευση; Forthcoming.
2024
Triantafyllaki A. Digital and Pedagogical Innovation for the Instrumental Music Classroom. International Technology, Education and Development Conference. 2024.
2020
Chrysostomou S, Triantafyllaki A. Transitioning to online music teacher education: Challenges and opportunities for knowledge development. Teaching, Technology, and Teacher Education during the COVID-19 Pandemic: Stories from the Field. 2020.
2019
Τριανταφυλλάκη Α. Ο ρόλος της μουσικής τεχνολογίας στην ανάπτυξη της μουσικής δημιουργικότητας. Νέες κατευθύνσεις και προοπτικές για την Πρωτοβάθμια Εκπαίδευση. In: Διαλεκτική και Πρωτοπορία στη Μουσική Παιδαγωγική. Θεσσαλονίκη : ΕΕΜΕ; 2019.
2017
Rowe V, Triantafyllaki A, Pachet F. Children's Creative Music-Making with Reflexive Interactive Technology: Adventures in Impovising and Composing. London: Routledge; 2017. Publisher's VersionAbstract
Children's Creative Music-Making with Reflexive Interactive Technology discusses pioneering experiments conducted with young children using a new generation of music software for improvising and composing. Using artificial intelligence techniques, this software captures the children’s musical style and interactively reflects it in its responses. The book describes the potential of these applications to enhance children’s agency and musical identity by reflecting players’ musical inputs, storing and creating variations on them. Set in the broader context of current music education research, it addresses the benefits and challenges of incorporating music technologies in primary and pre-school education. It is comprised of six main chapters, which cover the creation of children's own music and their musical selves, critical thinking skills and learner agency, musical language development, and emotional intent during creative music-making. The authors provide a range of straight-forward techniques and strategies, which challenge conceptions of ‘difficult-to-use music technologies’ in formal music education. These are supported by an informative collection of practitioner vignettes written by teachers who have used the software in their classrooms. Not only are the teachers’ voices heard here, but also those of children as they discover some of the creative possibilities of music making. The book also provides free access to a companion website with teacher forums and a large bank of activities to explore. A toolkit serves as a database of the teaching activities in which MIROR applications have been used and provides a set of useful ideas regarding its future use in a variety of settings. This book demonstrates that music applications based on artificial intelligence techniques can make an important contribution to music education within primary and pre-school education. It will be of key interest to academics, researchers and postgraduate students in the fields of music education, music technology, early years and primary education, teaching and learning, and teacher educators. It will also serve as an important point of reference for Early Years and Primary practitioners.
2016
Triantafyllaki A. The role of creative transfer in professional transitions. Arts and Humanities in Higher Education, Special Issue, The Reflective Conservatoire. 2016;15(3-4):401-6.
2014
Triantafyllaki A. Musicians as beginning music teachers: creative transfer and identity in higher music education. In: Developing Creativities in Higher Music Education: International Perspectives and Practices. ROUTLEDGE; 2014.
Tριανταφυλλάκη Α. Διαπολιτισμική μουσική εκπαίδευση. Νέες κατευθύνσεις για την αρχική κατάρτιση εκπαιδευτικών. In: Διαπολιτισμική Εκπαίδευση: προκλήσεις, παιδαγωγικές θεωρήσεις και εισηγήσεις. ; 2014.
Rowe V, Triantafyllaki A. Young pianists exploring improvisation using interactive music technology. International Journal of Music Education. 2014.
2010
Triantafyllaki A. Advanced music training institutions in Greece as “workplace landscapes” in the construction of performance teachers’ professional identity. British Journal of Music Education. 2010;27(2):185-201.
Triantafyllaki A, Burnard P. Creativity and arts-based knowledge creation in diverse educational partnership practices: Lessons from two case studies in rethinking traditional spaces for learning. UNESCO e-Journal Multidisciplinary Research in the Arts, Special Issue: Making the Case for the Arts,. 2010;1(5).
Triantafyllaki A. Performance teachers’ identity and professional knowledge in advanced music teaching. Music Education Research . 2010;12(1):71-88.
2005
Triantafyllaki A. A call for more instrumental music teaching research. Music Education Research. 2005;7(3):383-7.