aspects on the interactive masks createdby the composer Georgia Spiropoulosfor the needs of the opera LesBacchantes (Ircam, 2010). Bacchae isan opera for a single performer, tapeand live electronics where the voice ofthe performer interprets four differentroles with the interactive environmentin Max/Msp. The virtual masks as ametaphor of Euripide’s dramaticpersonae and masks1 of the same actor.Are used as virtual scores whichregister the vocal trace of the performerand give further vocal agility,extensibility, mutation, multiplicationand augmented vocality.