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Publications

in English

Panourgia, Neni and Pavlos Kavouras. 2008. “Interview with Clifford Geertz”. In: Neni Panourgia and George Marcus (eds.), Ethnographica Moralia: Experiments in Interpretive Anthropology. New York: FordhamUniversity Press. 15-28.

Kavouras, Pavlos. 2006a. “Book Review of ‘Bright Balkan Morning: Romani Lives and the Power of Music in Greek Macedonia’ by Angeliki Keil and Charles Keil (Text), Dick Blau (Photographs) and Steven Feld (Soundscapes), 2002, Middletown: WesleyanUniversity Press”. Ethnomusicology 50(1): 154-157.

______. 2006b. “Voices, Meanings and Identities: Cultural Reflexivity in the Opening and Closing Ceremonies of the XXVIII Olympiad in Athens”. In: Making Music, Making Meaning. International Association for the Study of Popular Music (IASPM). DVD-ROM.

______. 2006c. “Ethnographies of Dialogical Singing, Dialogical Ethnography”. Music and Anthropology 10 <https://www.umbc.edu/MA/index/number10/kavour/kav_0.htm>.

______. 1999. “The Biography of a Folk Musician: Ethnographic Interpretation, Field research and Fiction”. In: Music of Thrace: An Interdisciplinary Approach - Evros. Athens: The Friends of Music Society - Research Programme ‘Thrace’. 319-421.

______. 1994. “Where the Community ‘Reveals Itself’: Reflexivity and Moral Judgment in Karpathos, Greece”. In: Kirsten Hastrup and Peter Hervik (eds.), Social Experience and Anthropological Knowledge. London and New York: Routledge. 139-65.

______. 1992. “Dance at Olymbos, Karpathos: Cultural Change and Political Confrontations”. Ethnografica 8: 173-190.

______. 1990. Ghlendi and Xenitia: The Poetics of Exile in Rural Greece (Olymbos, Karpathos). Doctoral Dissertation. Ann Arbor, Michigan: University Microfilms International.

______. 1989. “The Medea of Euripides: An Anthropological Perspective”. Dialectical Anthropology 13: 123-142.

 

in Greek

Kavouras, Pavlos et al. 2013a. “Video Life Stories of Migrants”. In: Art and Interculturality in the Mediterranean Region. Corfu: Ionian University, Department of Audio and Visual Arts. 294-316.

______. 2013b. “Allegories of Nostalgia: Music, Tradition and Modernity in the Mediterranean Region”. In: A Festschrift in Honour of Georgios St. Amargianakis (1936-2003): Studies and Text of His Colleagues and Students. Athens: National and Kapodistrian University of Athens. 5-47.

______. 2012. “Music Identities in the Balkans: From Folklore to Ethnic. The Case of Bulgarian Chalga”. In: Lia Yioka (ed.), Museums 06: Lectures and Treatises for Cultural Studies and the Visual Arts. Athens: Ziti. 56-67.

______. 2011. “Allegories of Nostalgia: Music, Tradition and Modernity in the Mediterranean Region”. In: Grigoris Paschalidis, Eleni Hodolidou and Iphigenia Vamvakidou (ed.), Boundaries, peripheries, diasporas. Thessaloniki: University Studio Press. 263-288.

______. 2010a. (ed.) Folklore and Tradition: Issues on the Re-presentation of Music and Dance. Athens: Nissos.

______. 2010b. “Introduction”. In: Pavlos Kavouras (ed.), Folklore and Tradition: Issues on the Re-presentation of Music and Dance. Athens: Nissos. 9-25.

______. 2010c. “Folklore and Tradition: Aspects and Transformations of a Modernist Ideological Conception”. In: Pavlos Kavouras (ed.), Folklore and Tradition: Issues on the Re-presentation of Music and Dance. Athens: Nissos. 29-85.

______. 2010d. “Music Identities in the Balkans: From Folklore to Ethnic. The Case of Bulgarian Chalga”. In: Pavlos Kavouras (ed.), Folklore and Tradition: Issues on the Re-presentation of Music and Dance. Athens: Nissos. 185-200.

______. 2010e. “Ritual Act and Dramaturgy: The Idea of Folklore in the Age of Ethnic”. In: Pavlos Kavouras (ed.), Folklore and Tradition: Issues on the Re-presentation of Music and Dance. Athens: Nissos. 227-250.

______. 2008. “The Mozart’s Myth: Variations on the Theme of Genius”. In: Markos Tsetsos and Ioannis Foulias (eds.), W. A. Mozart: Fifteen Approaches. Athens: Nefeli. 41-75.

______. 2006a. Trickster and Cain: A Musical Allegory. Athens: Fagotto.

______. 2006b. Music as Art, Culture and Ideology: An Ethnographic Research among the Muslims of Thrace. Athens: National and Kapodistrian University of Athens, Faculty of Music Studies.

______. 2003. “The Past of the Present: From the Ethnography and the Performance of Music to the Performance of Musical Ethnography”. In: Τhe Present of the Past: History, Folklore, Social Anthropology. Athens: Society for the Study of Modern Greek Culture and General Education. 307-359.

______. 2000. “The Ghlendi on Lesbos (19th-20th Century)”. In: Sotiris Chtouris (ed.), Musical Crossroads in the Aegean. Athens: Exandas. 173-241.

______. 1999a. “The Biography of a Folk Musician: Ethnographic Interpretation, Field Research and Fiction”. In: Music of Thrace: An Interdisciplinary Approach - Evros. Athens: The Friends of Music Society - Research Programme ‘Thrace’. 341-450.

______. 1999b. “Contemporary Indian Music”, “Music in Pre-Columbian America”, “Indonesian Music (Java, Bali)”. In: Greek Educational Encyclopedia, volume 28 (Theatre - Cinema - Music - Dance). Athens: Ekdotike Athenon.

______. 1997a. “Rituals in Ethnographic Perspective: Methods, Techniques and Questions of Inscription”. In: Rituals: Contemporary Media and Techniques of Inscription. Komotini: Folk Ritual Acts Centre. 45-80.

______. 1997b. “The Concept of Musical Network: Relations of Production, Relations of Power”. In: Networks of Communication and Culture in the Aegean. Athens: Samos Cultural Foundation ‘Nikolaos Dimitriou’. 39-69.

______. 1996a. “The Karpathos Ghlendi as Ritual and Performance: A Critical Anthropological Approach of the Symbolism of Traditional Performing Arts”.  In: Folk Ritual Acts: Old Forms, Contemporary Expressions. Athens: Ministry of Culture – Department of Folk/Popular Culture. 65-81.

______. 1996b. “Modernism and Cultural Anthropology”. In: Modernism: Time for Assessment? Athens: Society for the Study of Modern Greek Culture and General Education. 79-116.

______. 1995. “The Aegean as a Unitary Culture Area: A Critical Anthropological Perspective”. In: Directions and Preconditions for an Interdisciplinary Research. Athens: Samos Cultural Foundation ‘Nikolaos Dimitriou’. 17-36.

______. 1994.  “Singing the World: Oral Poetry and History at Olymbos, Karpathos”. In: Rika Benveniste and Theodoros Paradellis (eds.), Narrativity, History and Anthropology. Mytilini: University of the Aegean. 40-163.

______. 1993. “Extempore Dialogical Song and the Symbolism of the Ghlendi at Olymbos, Karpathos”. Ethnologia 2: 155-200.

______. 1992. “Dance at Olymbos, Karpathos: Cultural Change and Political Confrontations”. Ethnographika 8: 47-70.