Publications by Year: 2008

2008
A Spy in the House of the Other: Anais Nin, Modernism, Autobiography, and Feminine Self-Disclosure
Tsimpouki T. A Spy in the House of the Other: Anais Nin, Modernism, Autobiography, and Feminine Self-Disclosure. In: Women in Dialogue:(M)uses of Culture. Cambridge University Press; 2008. pp. 66-82. Publisher's Version a_spy_in_the_house_of_the_other_nin_modernism_authobiography_femine_self_disclosure.pdf
Tsimpouki T. Does doing “the right thing” equal doing it “in the right way”?: Performative Narration in Nella Larsen’s Passing. In: Southern Identities. Ed. Youli Theodosiadou. Thessaloniki: Kornelia Sfakianaki, 2008; 2008. pp. 97–112.
The Sixties Are Dead: Long Live Their Legacy: The Politics and Poetics of Counterculture
Tsimpouki T. The Sixties Are Dead: Long Live Their Legacy: The Politics and Poetics of Counterculture. GRAMMA. Journal of Theory and Criticism. 2008;16:45–66.
Tsimpouki T. Τάσεις και Προοπτικές των Αμερικανικών Σπουδών. In: New Perspectives of American Studies in Greece. Ed. Eleftheria Arapoglou. Hellenic Association for American Studies; 2008. pp. 17–27.
Conformism, Non-Conformism and Anti-Conformism in the Culture of the United States
Conformism, Non-Conformism and Anti-Conformism in the Culture of the United States. (Tsimpouki T, Balasopoulos A, Mackenthun G). Heidelberg: Universitätsverlag Winter; 2008 pp. 330. Publisher's VersionAbstract
The essays collected in this volume – the outcome of the EAAS convention in Cyprus in 2006 – form a crossroads between a number of disciplines (literary theory and criticism, film studies, history, cultural studies, sociology); they are all animated – in different ways and to different extents – by a healthy suspicion towards the idea that the concepts of conformism, non-conformism and anti-conformism are transhistorically static or transcendentally self-evident. The conceptual contours of the subject are investigated before the topic is then explored in historical perspective, in its textual manifestations, and with regard to its stakes in visual culture. The collection is rounded off with a critical glance at commercial aspects of conformism and anti-conformism. The volume includes essays by Donald Pease, Heinz Ickstadt, Susana Delfino, Albena Bakratcheva, Marek Wilczynski, Johannes Völz, Marc Amfreville, Andrew S. Gross, Yves-Charles Grandjeat, Thomas Pughe, Susanne Rohr, Peter Loizos, Dimitris Liokaftos, Hilaria Loyo, Alexandra Ganser and Karin Hoepker, Frank Mehring, Berndt Ostendorf, and Arthur Redding.
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